In the Shadows of Men

In the Shadows of Men

Illustration By Jon Foster

Dust jacket illustration by Jon Foster.

We’re pleased to present a brand new novella by Robert Jackson Bennett, author of The Troupe, The Divine Cities Trilogy, and The Founders Trilogy.

About the Book:

In the desolate flats of west Texas, two brothers purchase an old motel with the intent of renovating it and making a fortune off the population surge brought about by the fracking boom. Though each man is lured there by the promise of wealth, they are also fleeing something: a history of trauma, of failure, of family abuse, and shame. 

But the motel proves to have a history of its own. Once the business of a distant relative of theirs, Corbin Pugh, the brothers begin to discover signs that it might have been more than just a motel back during the wildcatter days of the last oil boom. 

As they live and labor in its dusty halls, fighting the crawling feeling that they are not alone here, they begin to wonder: what kind of a man was Corbin Pugh? What happened in the rooms he owned, so many decades ago? And is the motel changing them, warping them to become more ruthlessly ambitious and brutal—or is this what men must become in order to survive on the edge of civilization? 

Lettered: 26 signed leatherbound copies, housed in a custom traycase

Limited: 1000 signed numbered hardcover copies


From Publishers Weekly: 

“The devil’s in the details in this eerie novella from Bennett (Shorefall), which pulls successful scares from familiar horror tropes… Bennett still keeps readers jumping at shadows with nail-biting writing.”

From Locus:

“The primary allure of such a tale is of course the occult doings, the level of creepiness and suspense that the author can attain and transmit. Bennett succeeds a thousand percent along these lines, despite deploying freshened-up horror tropes that have a certain familiarity. But actually, the horror spine of the story also functions as an armature from which to hang a number of other themes: familial responsibility and guilt; societal indifference to evil; an individual’s decision to strive or abandon hope; capitalistic practices that inure us to suffering; neglect of society’s marginal and cast-aside individuals. These strong but subtly rendered issues add much depth to the tale. Along of course with the deftly rendered and tangible scrubland setting, full of lyrical melancholy.”




In the Shadows of Men



To travel across west Texas at night is to pass through bursts of bright and seas of shadow, these sudden punctuations of towns clinging to the highways as they slash through the scrub. It is a place of tremendous opposites and inverses. An aging, unlit asphalt road will suddenly flow into a smooth, cement highway, fresh and new and lit up white. Then you will pass through countless tiny villages that are seemingly abandoned, all crumbling grain silos and mid-century town squares with the shopfronts boarded up, only to find the city at the next intersection is a booming hive, its gas stations fresh and new and crowded with muddy men in square-toed boots.

To travel through west Texas is to travel through a strikingly bipolar place, an empty land that has somehow gone mad overnight, suddenly teeming with trucks and truckers and workers and trailers as dozens of companies converge on the desert flats to plumb the depths of the Permian. You don’t grasp the whole of it until you come to the frack sites themselves and see the gas burning, these giant, coiling flares unscrolling from the towers, whipping in the wind like brilliant windsocks. The light is so bright, flooding the landscape around the towers for hundreds of yards, making the many shadows dance like witches in the woods.

You see one flare, and then another, and another. Then dozens of them, hundreds of them. A land studded with giant candles burning in the darkness, apparently unobserved, unwatched. As I drive through the frack sites I am reminded of votive candles flickering in a devotional. Yet the flares are curiously greasy at the ends, I find, an oily, unpleasant glimmer—a reminder, perhaps, that what is being burned has spent millions of years sleeping miles and miles under the skin of the earth.

It was here long before we came, but in a handful of years we will eliminate this curious geological phenomenon. We will drain it dry and we will burn it up and then move on.

These sites are the finished places, the sites where the work has been done. At the unfinished places you see the man-camps, the fleets and fleets of trailers and trucks where the roughnecks and the construction workers and the sand haulers sleep. A curious herd of men, migratory and nomadic, slipping from desert site to desert site bringing their water and electricity and creature comforts with them.

They are here, of course, for the same reason I am here, for the same reason all of us are here: to make money. We are here to wring money from the sands and stones of this unforgiving place. And I mean to do it.



Jon Foster
Robert Jackson Bennett
120 pages
United States
Out of Print