We’re pleased to announce a brand new novella by recent Hugo and Nebula award-winning author, Paolo Bacigalupi, who may well be the hottest sf writer working today.
Paolo’s novella, The Alchemist, shares a common backdrop with a second novella by Tobias S. Buckell (more about his below). The cover and interior art are by J. K. Drummond, whose first work for us, for Daniel Abraham’s Leviathan Wept and Other Stories, was utterly perfect, as we think her work for these two new novellas is.
First, a bit about the world created for the pair of novellas:
Magic has a price. But someone else will pay.
Every time a spell is cast, a bit of bramble sprouts, sending up tangling vines, bloody thorns, and threatening a poisonous sleep. It sprouts in tilled fields and in neighbors’ roof beams, thrusts up from between street cobbles, and bursts forth from sacks of powdered spice. A bit of magic, and bramble follows. A little at first, and then more— until whole cities are dragged down under tangling vines and empires lie dead, ruins choked by bramble forest. Monuments to people who loved magic too much.
In paired novellas, award-winning authors Tobias Buckell and Paolo Bacigalupi explore a shared world where magic is forbidden and its use is rewarded with the axe. A world of glittering memories and a desperate present, where everyone uses a little magic, and someone else always pays the price.
And now, the description specific to The Alchemist:
In the beleaguered city of Khaim, a lone alchemist seeks a solution to a deadly threat. The bramble, a plant that feeds upon magic, now presses upon Khaim, nourished by the furtive spellcasting of its inhabitants and threatening to strangle the city under poisonous vines. Driven by desperation and genius, the alchemist constructs a device that transcends magic, unlocking the mysteries of bramble’s essential nature. But the power of his newly-built balanthast is even greater than he dreamed. Where he sought to save a city and its people, the balanthast has the potential to save the world entire—if it doesn’t destroy him and his family first.
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We don’t expect the print runs of 300 signed numbered copies bound in leather to last forever — We will not increase the size of the limited editions, no matter the demand. The trade hardcovers will have more generous print runs, but still, we’ve seen the prices of some of our $20 editions (such as Angelic by Kelley Armstrong and A Fantasy Medley, edited by Yanni Kuznia) skyrocket in price on the secondary market into the $200+ price range for a copy of the trade edition, with the limited edition going for correspondingly more!
Both of these novellas represent the authors at the top of their considerable powers. You can’t go wrong in snagging copies to read or collect.